And for a time within this Age a war raged on Planet Earth for over half a decade, the likes of which had never been seen before or since, and for a short time powerful High Fidelity sound was available to the average consumer.
R eceivers are an audio component that combine a tuner, pre-amplifier and power amplifier into one unit, so that everything you need to listen to the radio or other music sources in High Fidelity is contained in the one box — sans speakers of course.
The company that invented the Receiver was Harman Kardon, however other manufacturers were quick to introduce their own Receivers to market. Perhaps one reason for their popularity was their stunning looks, with their mixture of multi-coloured back-lit tuning dials, signal strength and alignment meters, VU meters and a multitude controls that all combined to produce something that looked remarkable.
Next to these most separate components would just look, well bland in comparison. Receivers became a feature in the home, standing out without taking up a huge amount of space as the furniture based systems that had been so popular in the s and s.Fs19 big maps
Receivers had become the flagship products of audio manufacturers. The Receiver Wars Commence. T he first event of was when the United States Federal Trade Commission moved to introduce a new and rigorous standard for rating the performance of Hi-Fi gear.
While not perfect, and some argue it is not even measuring the correct thing, it was at least a step in the right direction. Prior to the audio market had suffered from confusion caused by a myriad of different power ratings making it very difficult to compare one brand to another in terms of performance. The new FTC standard was directly aimed at combating the unrealistic claims being made by some manufacturers, and to arm the consumer with a rating system with which to compare one HiFi product to another.
This measurement was taken over a given frequency range, typically Hz. And thus the first salvo in the Receiver War was fired. Great write up on the Receiver Wars. The 22, and 33, are NOT receivers. Yes you are right! An absolutely lovely article. I was a young lad in the 70s when my dad bought a SX; not a monster but close to it. I enjoy vintage audio and apparently so do many others!
Great info.Home alone 7
I run a store in Seattle and I get to see this stuff on a daily basis. Thanks for writing such an easy to read fun article! I just wanted to say thanks for putting this piece together. I have just entered the world of receivers in hopes of buying my first. Your article cleared up the issue of why so many receivers of that era seem to be so sought after, and at such premium prices!Sansui Speakers Demo
Cheers for a job well done. I just bought two of the best.The best vintage turntables have a charm often missing in modern turntables. Whilst modern turntables are aesthetically minimalistic, which suits some, vintage turntables have a warm aesthetic that pleases the eye. A brand new Rega would stand out like a sore thumb in a s era house with wooden floorboards and antique furnishings. Therefore, vintage turntables provide a superb alternative to new turntables.
The best vintage turntables are at least as good as modern turntables at the same price point. It must be said that the real upper echelon audiophile turntables are a great deal better than anything made 20 years ago, but vintage turntables are competitive right up until around the ten thousand dollar mark. The Linn LP 12 is without a doubt the turntable with the biggest and best reputation amongst audiophiles.
Reading reviews of the Linn LP 12 can be a confusing matter, since just about every review has a different set up — different power supply, tonearm or other component that makes a little difference. There in lies the attraction of many towards the LP12 — the upgrade paths. The thing about an LP12 — of which there are countless variations since it has been in production for 30 odd years — is that it is a real cult classic, and is priced accordingly.
It has a relaxed warmth about it that matches its appearance well. For sheer musicality, the Linn LP12 is hard to pass up, even when compared to more expensive, state of the art turntables. The TD is perhaps a little more detailed on the highs than the Garrards, and the Garrards weightier in the bass.
The original TD when made in must surely have been a magnficent turntable for the time, and they are still highly sought after today amongst idler drive fans. Like the Garrards, the need to be plinthed well as their motors are very powerful to drive their heavy-as-a-boulder platters and thus create some vibration.
Two similar turntables that justify being under the same banner, the Garrard systems are some of the best vintage turntables when correctly plinthed. Despite the fact that Rega turntables are still being manufactured, vintage Rega turntables are some of the best vintage turntables around.
Of course there are better turntables in the Rega lineup than the P3, but in terms of value for money, the P3 remains the best turntable in terms of value for money till this day. At the time of this article being written, the Rega turntables are the best turntables available for value for money in the present day.
The Acoustic Research early model turntables were magnificent achievements when they were released in the early s. Sonically, they were ahead of their time thanks to excellent engineering. They look very nice in an understated way, and can still produce some pretty solid performance. Also, the tonearm on these turntables are awful and need replacing. What the SP represents is sheer direct drive brilliance. When the direct drive vs belt drive war was at its peak, direct drive fans pointed to the Technics SP and SL series as cases in point.
No one got it quite as right as Technics did with direct drives and the SP is the best of the bunch. Looks matter, but nowhere near as much as sound, which is lucky because the Technics SP is the ugly nerd with the brilliant mind.
The Technics ranks slightly below the SP, but it is still a brilliant turntable that is consistently underrated by audiophiles. Perhaps this is because it is so popular as a DJ turntable. The Technics does not take much set up to be an excellent hifi turntable, and its durability is fantastic.Used calf roping saddles
Non-DJs will find the price a little much these days, especially when compared to other contenders on this list. A base level LP12 is nearly the same cost as a second hand Technics these days. Japan sure can do direct drive turntables, and the Sansui SR is a fine example. Originally made inthe SR is a whole lot more modern looking than most turntables on this list, and its unique looks will probably be what makes you love or hate this turntable.
Unfortunately this turntable and its cousin the SR are found very rarely on the second hand market so getting hold of one is a difficult task. Incidentally, the SR is preferred by some listeners but if you surveyed enough people, the SR would be the overall winner. If you ask me, the turntables on the best vintage turntables list above have a great deal more character than modern day turntables. The sleek designs of Rega and Pro-ject look great, but in a different way. I listen to vinyl for its warmth and character, and listening on one of the best vintage turntables amplifies that feeling.
Name required.Produced between andthese beautiful walnut speakers are solid and very heavy — definitely high quality. Click on the image for the full-size version! The web site is down apparently, replaced with a placeholder park page redirecting to a spam site.
Sorry, no vintage ad anymore! Unlike newer speakers including a pair of Sansui SPX that are still waiting to be refurbishedthese are very easy to remove.
Six screws to remove the crossover panel from the back, disconnect the driver leads from the spade terminals, and pull out of the back. Like all older electronics, speakers also have components that can fail inside. The crossover network, distributing and filtering the amplified audio to the different drivers, contains capacitors which can fail with age just like the capacitors in an antique radio or in your modern electronics.
The three blue cylinders are the crossover capacitors, in 2. These are bipolar electrolytic capacitors, a special type that is slightly more expensive than standard electrolytic models, but they are required because speaker current is AC and must flow both directions across the capacitor. A polarized capacitor would be likely to explode if used in the same application. Parts Express sold me everything I needed for these speakers, and a few others:.
My only complaint now is the diffusers send the high-frequency audio straight into my carpet, when placed on the floor. I suspect these were meant to sit on stands somewhat.
Great thread! The mids and tweeters are super bright as well. Does anyone have any suggestions of how to lower the frequency response of the bass driver? Are there any good aftermarket replacements for these? My grandfather recent passed and handed down his sansui sp speakers to me. I just need part numbers, and to upgrade them, correct? Please and thank you for you time!
Old thread I know but really you should be replacing the capacitors with Polypropylene capacitors rather then repeating the manufacturers mistake of using cheap electrolytic caps.
I use then a small supertweeter to supplement the top end starting at about 9 khz just using a single cap and some resistors to get the level right…. Perfect solution.Ask About This. Tags: sansuispeakersvintage speakersvintage stereos. I am trying to find out the difference between the two models currently so if you have any input please let me know. One tweeter pair shoots its sound out of the top of the cabinet.
These speakers are amazing, and have the best sound for classical music and opera I have ever heard. They are smaller than Klipschorns, but have the same quality of sound. This model only marketed in Japan, an not made in large quantities.
The Receiver Wars – 1974-1979
They sound better for opera, jazz, classical, and non death-metal music than my SP Z ste I was using previously. I have set up a pair of SF-1 speakers in the back of the room, and have tried several amp and receivers with this combo, all of which sound better than they did with any other speaker.
These are late s-era manufactured speakers and were not originally available for sale in the United States the SP-Z9 model were sold here. These speakers are rare to find and seldom sold here in eBay.
All of the drivers are in very good condition and work very well. The cabinets exhibit the normal aging for a pair of vintage speakers, but overall I would rate it as very well cared for and is very clean. There is no rust whatsoever.
The grills look beautiful, but these beautiful speakers are meant to be looked at without them grills. There is a digital power indicators that lights up to the intensity of the sound. Each speaker has a sound balance control Normal, Soft 1 and Soft 2.
This helps control the tone of the speakers since these speakers are loud and is appreciated to be listened to at higher volume. The woofers are 16" and are rated at watts. The center of the woofer cone of one of the speakers has a slight inward dent Each speaker weighs approximately 40 pounds and measures Please note that the shipping payment reflected here in eBay is approximate cost per speaker box.
Please do not pay until invoice is received to reflect the total shipping cost for the two boxes to be shipped.
Sansui SP-X Series Speakers Vintage 70's
Please pay for your item within three days. Your item will be shipped within five business days after your payment is received. If you fail to pay for your item within seven days of purchase I have the right to re-list it.Quick Jump to International v.
It's very interesting to correlate the relationship between the quality of Sansui products and the establishment of international version of its product lines. The last Sansui product lines sold in both domestic and international markets were Professional and Definition Series with the exception of AU-X1 to AU-X, and some high-end separates.
They did not have the highest model AU In the international market, they named those models as AU and AU respectably. If you compare those, you can find that they are identical in build, but carry different names. InAU was introduced in the international market. This is identical to the top of the line model, AU-Dthe second generation of the 07 Series. In the same year, Sansui introduced AU in the international market.
This was the step up model of AUand was not the step down model of AU It means AU was newer than AU, but used older technology. I believe that this was the beginning of the down trend of Sansui international models. There have been some discussion on this issue among Sansui enthusiasts. The yearthe last year Sansui introduced the top of the line model, the exchange rate between U.
Dollar and the Japanese Yen was about Yen to a Dollar. Douglas MacArther decided the exchange rate at Yen. With this rapid appreciation of Yen value, many Japanese companies had to adjust their cost structure. Sansui must had to face with the same problem since Sansui was heavily depending upon exports for its bottom line. The best way to cut the costs immediately is to eliminate excess employees.
I have the credible source told me that Sansui had union problems since the middle of 's. This means Sansui could not get rid of excess employees easily.Smb 0x80070035
The second best way to cut the cost is to use less expensive parts and shrink the operation. This must be what exactly Sansui did. Having the brand name that represents the quality, and worsened the quality as quick and as much as Sansui did. This was the worst thing Sansui could do. As mentioned in the another section, Sansui tried to improve the quality in the middle to the end of 's; however, it would take a lot of resources to change the tide.
The reason Sansui changed the logo in must be trying to emphasize that new Sansui is not as same as the early 's Sansui. By the end of 's, the exchange rate hit somewhere Yen to a dollar. The worst trend hit audiophile industry in the middle of to today as well. The increasing popularity of personal computers. Every house hold has limited budget to spend on electronics. Most yapees went crazy on computers, including myself Internationally, Sansui have never recovered from the bad reputation of early 's.
Sansui - Hifi Manuals (1)
Domestically, Sansui kept producing the high-end products with tremendous loss. There was no mass market for high-end audio during 's even in Japan.Post by PeterW. Quick links. Username: Password: Remember me? Please login or register an account. Board index Hardware Amplifiers and Loudspeakers. Sansui's best speaker amplifiers, receivers and loudspeakers. It has two 12" woofers and a horn tweeter.
Crossover is at HZ. It's little brother is the SP-L with two 10" woofers and the same horn. The is rated at watts and the is watts.
I have two pair of the 's. They sound great. Highly recommended.
They are rare. I have never seen any other than mine. I have seen people mention an SP-L, but have never seen any official documentation on it and suspect it may be just a story.
If one existed, I suppose it would have 15" woofers. I have the Sansui full color brochures for the and The most available Sansui speakers are the SP series. Like the SP and such. I've never heard them but some say they like them.
Most of the Sansui speakers are not thought well of. That's why if you do find a pair of the L or L they usually go cheap.
Well under what they are worth. He had to settle for the Pioneers though. That has been the only L's I've seen for sale. You can get the HPM 's everyday. Regards, Ron. I will keep my eyes open for a pair. Frankly, most of them really aren't very good. You can do better with speakers from many other manufacturers, including vintage and new.These British electrostatic speakers basically defined the category for many audiophiles.
Top speaker engineers are known to own Quad ESL 63s as part of their personal reference systems. Their warm sound and longevity have made them one of the most sought-after speakers ever. The Meyer Sound X10 is one of the best audiophile loudspeakers that no audiophile has ever heard.
This powered, pro audio speaker has more dynamics than any speaker on the list and will make people rethink what a speaker can do. Top studios use these speakers as do people like Stevie Wonder and Hans Zimmer. Talk about a speaker company that reinvented itself. What a well-balanced loudspeaker system. The BP and the rest of the Super Tower lineup are truly some of the best values in all of high-end audio.
Talk about a dramatic loudspeaker: the German-made MBL s are just that, dramatic and a bit over the top. Their omni-directional performance makes for an audio experience that is unlike anything else you will hear in the ultra high-end class of speakers.
The Magnepan 3. In the zone, with the right music and enough power, the Magnepan 3. With full range performance, excellent cabinetry and top of the line drivers, these speakers bring 90 plus percent of the high-end audiophile experience to the table for a fraction of the price.
Real speakers do best when playing real music and over the years Dynaudio has proven that point. With a high lust factor, these slender speakers whisper sweet nothings into your ears in ways that make you not just want them —but also need them. These Italian speakers are one of many in the Sonus Faber line that bring absolutely stunning craftsmanship to the table while never forgetting audiophile performance. So many other speakers do one or the other but rarely does a company get both elements so right.
For imaging, these small speakers must be considered some of the very best speakers available. One of the newest players in the high end game, Magico speakers are built internally in ways that make an Audi S8 look flimsy.
Sonically, these speakers are at the top of the heap. Overall, you ears will thank you for a session with the Magico Q5s. They are one of the very best speakers money can buy today. Unlike many other audiophile brands Revel has kept their prices stable by outsourcing their cabinets to China; however their cutting edge drivers and insightful design make for one hell of a compelling loudspeaker experience.
Sonically, the Nautilus makes as much of an audio statement as it does a visual one. MartinLogan can also restore an old pair to modern performance thus making them even more lustworthy even to this day. Like the Avalon earlier on the list, the Canton 3.
Excellent audio performance should be expected from a speaker coming in at number eight on the list but they do all of the little things too, including beautiful finishes, strong value and high relevancy.
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